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        | Maria Theresia | 
      	 
		
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            Maria Theresia, b. Vienna, May 13, 1717, d. 
			Vienna, Nov. 29, 1780, Archduchess of Austria, Queen of Hungary and 
			Bohemia in 1740. From 1745 called herself "Roman Empress". Feb. 12, 
			1736 married Duke Franz Stephan of Lorraine, who was 9 years her 
			senior (from 1737 Grand Duke of Tuscany, from 1745 Emperor under the 
			name of Franz I); after her father's death (Karl VI) in 1740 M. T. 
			took over the reign over the Habsburg countries under the Pragmatic 
			Sanction and ruled the Habsburg Empire with | 
           
         
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        |  more authority than her father. The 
		initial loss of the Imperial crown weighed heavily on her. She was 
		gratified, however, when her husband was elected Emperor in 1745 and her 
		son Joseph II became Roman King in 1764, feeling that Divine order had 
		been restored. The rule of M. T. (see: Maria Theresia, Age of) was 
		marked by the implementation of major reforms which effected 
		considerable modernisation in all the Habsburg territories: M. T. 
		modernised the administration, reorganised the army (and established a 
		military academy in the town of Wiener Neustadt), eased the life of the 
		peasants (e.g. by limiting the amount of forced labour), introduced 
		compulsory school attendance, abolished torture and reduced the 
		influence of the Church (abolition of the Jesuits 1773). | 
      	 
		
        
			
          
            
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            M. T. had 16 children, (11 girls, 5 boys), 3 of whom died when 
			still in their infancy, 3 more in their teenage years. 2 sons became 
			regents (Joseph II and Leopold II), 2 daughters and her youngest son 
			remained unmarried. In her younger years M. T. was lively and 
			impulsive, she had an adequate, not overly thorough education, she 
			spoke German with a Viennese accent, as well as Latin, Spanish, 
			French and Italian and she loved music (all her children learnt to 
			play musical instruments) and enjoyed gambling.  | 
           
         
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        She was always deeply attached to her 
		husband, whom she made co-regent in 1740; as a widow she always (from 
		August 18, 1765 onwards) wore mourning, used back-edged stationary and 
		became deeply pessimistic. She nevertheless exhibited an outstanding 
		sense of responsibility, reliability and diligence to the last. 
		 
		She was a devout believer in God, her faith having its roots in Austrian 
		Baroque Catholicism. She made many donations to churches and vehemently 
		rejected religious tolerance. Was strictly opposed to any sort of 
		indecent behaviour, also in entertainments and on the stage (founded the 
		"Commission against Immoral Conduct"). From her youth M. T. tended to 
		overweight, and walked with difficulty in old age. This is why she had a 
		lift installed in her main residence, Schönbrunn Palace. She was 
		constantly preoccupied about her children, had them vaccinated against 
		smallpox (a completely new procedure at that time, also in order to give 
		a good example) and always tried to keep up her influence on her 
		daughters (Marie Christine, Maria Amalia, Maria Karolina and Marie 
		Antoinette), some of whom were married to princes of the vast House of 
		Bourbon, France. 
		 
		When she died, there was no great mourning among the Austrian people, 
		and it was only later that M. T. became a symbol of strength and was 
		seen as an exemplary mother. However, even during her lifetime her 
		picture was found in many abbeys and palaces; in the 18th and 19th 
		centuries many monuments were dedicated to her in several towns 
		throughout the Monarchy (Klagenfurt, B. F. Moll 1765; Vienna Belvedere, 
		F. X. Messerschmidt 1766; Festive hall of the University of Vienna, J. 
		Pechan 1886; State Archive, E. von Hellmer 1880; Military Academy Wiener 
		Neustadt, H. Gasser 1862;  | 
      	 
		
        
			
          
            
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            Theresienfeld, A. Grath 1928). The most important monument is in 
			Vienna, (C. von Zumbusch und Baron C. von Hasenauer) off 
			Ringstrasse, in the park between the Kunsthistorisches Museum and 
			the Museum of Natural History, and dates from 1888. The sarcophagus 
			in the family vault (Kapuzinergruft) is of high artistic value 
			(double coffin together with Franz I by B. F. Moll). | 
           
         
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