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Vienna Konzerthaus |
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Historical |
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The Vienna Konzerthaus is one of the largest and most
artistically progressive institutions in international musical life.
During the course of a season, which extends from September to June,
some 750 wide-ranging events take place and more than 600,000 visitors
can listen to around 2,500 different compositions. With this
comprehensive and varied selection, the Vienna Konzerthaus – together
with the Vienna State Opera House and the Musikverein – is central to
Vienna’s reputation as one of the world’s leading music capitals.
From its earliest days, the Vienna Konzerthaus has held the highest
cultural aims and artistic mission: «To act as a venue for the
cultivation of fine music, as a meeting point for artistic endeavour, as
a home for music and a cultural centre for Vienna». It was in this
spirit that the Konzerthaus was inaugurated on 19 October 1913 with a
festive concert attended by Emperor Francis Joseph I. To mark the
occasion, Richard Strauss wrote the «Festliches Präludium op. 61», which
was followed by Beethoven’s Ninth Symphony. This programme combination,
comprising a contemporary work and a masterpiece from the past, served
as a model for the Vienna Konzerthaus’s future direction: today, too, an
awareness of tradition and the joys of innovation form the main pillars
of the Konzerthaus’s artistic identity.
The Vienna Konzerthaus has always been open to new artistic influences,
as well as endeavouring to satisfy the demands of tradition. With the
passage of time, the nature and range of the events held in the Vienna
Konzerthaus since 1913 have expanded, reflecting the changes in cultural
and social life of the times.
The social upheavals and financial crises of the inter-war period left
an indelible imprint on the Konzerthaus’s artistic output, generating a
wide range of cultural activities, which were pioneering in their time.
In addition to its consistent attention to classical repertoire, the
programmes of the Twenties and Thirties featured major premières, jazz
and popular concerts, readings by famous writers, lectures on
spiritualism, modern dance events, symposia, conferences, and world
fencing and boxing championships.
The years between 1938 and 1945 were ones of cultural poverty. Under the
destructive pressure of the National Socialist regime, the Konzerthaus
was reduced to a propaganda and entertainment business which was robbed
of its main artistic content.
After World War II, the Konzerthaus played an important role in reviving
and renewing Austrian musical life and, in the following years, became
the leading organiser of contemporary music in Austria and the most
sought-after stage for international jazz in Vienna. The series of
events created by the Konzerthaus left a decisive imprint on Viennese
cultural life. Since then, early music, jazz and new music have featured
prominently within the Konzerthaus's programme, contributing to a
celebration of classical music in its entire range.
The unique atmosphere of the Vienna Konzerthaus not only attract artists
from the international music scene, but also forms the setting for
numerous other social events such as balls, conferences, dinners,
company presentations and festivities. The Konzerthaus's experience of
hosting a wide variety of events extends back to the Twenties. With its
most recent major renovation (1998-2001), the historic building is now
well-equipped to meet the challenges of the third millennium. |
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Architecture / The Building |
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When, in 1913, the Vienna Konzerthaus was
officially opened after only two years in construction, it was
one of the most modern buildings in the Danube Monarchy. Built
by the renowned theatre architects Ferdinand Fellner and Hermann
Helmer in co-operation with Ludwig Baumann, it set new standards
for its architecture, visitor-friendly atmosphere, construction
technology and modern facilities. The interior's design
testified to the architects' wealth of experience. The entrance
hall and staircases were specially constructed to allow a free
flow of around 4,000 people, while the three halls - all of
which are on the same level but are acoustically separated from
each other - can be used individually, or together, for
different events. The acoustics and |
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atmosphere of the building lent themselves to
a broad range of cultural events, while the buffet, café and three
restaurants satisfied all the gastronomic and social claims of modern
concert management. The spacious and comfortable atmosphere of the
building, which constituted a novelty in Vienna’s traditional musical
life, delighted audiences and critics alike.
Architecturally the Konzerthaus presented a rare combination of
Historism, Secessionism and Art Nouveau styles. The high quality of the
building's construction made few alterations necessary in the course of
the years and these were done in such a way as to largely retain the
Konzerthaus's original state. The preservation of the building was also
central to the complete overhaul which took place from 1998 to 2001. The
historical structure was partly reconstructed and partly renovated, and
the building was equipped with the latest technology and a fourth
concert hall (the «New Hall»). Thanks to the careful and responsible
treatment of its architectural heritage the Vienna Konzerthaus can today
be regarded as one of the most modern concert houses in the world while
retaining its historical roots. |
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Wiener Konzerthaus |
A 1030 Vienna, Lothringerstraße
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+43-(0)1- 242 00-2 |
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ticket@konzerthaus.at |
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Box office, Office
hours:
Monday to Friday 09:00–19:45
Saturday 09:00–13:00
as well as Saturdays, Sundays and public holidays
from 45 minutes prior to the performance |
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map |
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